This postcard view of the Non-Subscribing Presbyterian Church in Banbridge along with the Methodist Church and what was then the library in Banbridge must date from before the First World War. It is not particularly rare but I was pleased to pick one up quite cheaply recently. I must have had the view in mind when I took the picture of the same group of buildings in 2017 and, apart from the inevitable cars parked in the way, the view has essentially not changed in a hundred years. The First Presbyterian (Non-Subscribing) Church, Banbridge is a remarkably imposing edifice both inside and out, the four fluted ionic columns tell the visitor that this meeting-house is a significant place. Built between 1844 and 1846 it speaks of the confidence of the congregation building anew immediately after the Dissenters’ Chapels Act of 1844 and choosing a style of architecture that eloquently expressed their identity.
A Victorian photograph of the exterior
Two views of the same place taken in Liverpool about 113 years apart. The postcard at the top is dated 1905 and was sent from Birkenhead to Miss D. Caulson at Grange over Sands. The view is of the Turner Memorial Home, a large hospital and nursing home built in 1884 on land originally owned by the Yates family. The Yates family were Unitarians and had links with the Ancient Chapel of Toxteth, the corner of which outside wall can be seen in both pictures on the left hand side. They were ministers, radicals, campaigners and major benefactors to the city, Richard Vaughan Yates donating Princes Park to the city in 1842.
It’s a curving corner junction in both images although once, long ago, before Toxteth was developed, it was a country track. In 1905 tramlines curl around the corner. In 2018 traffic lights and traffic islands keep pedestrians and traffic apart.
The road has been widened since 1905 and the post box taken away. Thirty-two years after the first picture was taken the Gaumont Cinema was opened on the right. A striking art deco cinema it is a sorry sight today having been abandoned for twenty years. Seating 1,500 people it once was a key venue for the people of the Dingle. Sold at auction in the early part of 2018 it was listed on the market at £75,000. It looks like a private house occupies that site in 1905. Just seven years after the card was posted the first cinema was built on that corner, the Dingle Picturedrome, the predecessor of the Gaumont.
The postcard and the photograph tell the viewer very little about the Turner Memorial Home, an endowed gift from Anne Turner in memory of her husband and son to provide residential care for the sick, an institution which has remained in continuous operation ever since.
It is really a postcard view of a road junction, and a junction in time.
Edwardian postcards of Non-Subscribing Presbyterian churches are not unknown but they are not common. Obviously some churches feature more prominently in this format than others although generally some of the churches in towns outside of Belfast – such as Dromore and Banbridge – are the most frequently seen. In Belfast All Souls’ Church appears on four postcards that I am aware of although two of them are very curious in their own right.
The picture at the top of this page (not taken from a postcard as it happens) is a fairly obvious view which does appear as a postcard. Another postcard that does sometimes turn up is of an architect’s line drawing of the Rosemary Hall which was published before the Hall was opened.
The other two cards, of which I have copies, raise a number of questions. The first is this one:
What the eagle-eyed will immediately notice is, that whatever the inscription says at the bottom of the picture, this is not a postcard of All Souls’ Church, Elmwood Avenue, Belfast. It is quite neatly printed and isn’t badly produced. On the reverse it says it is part of ‘The “National” series’ and was printed in Britain. So it may not have been locally produced which might account for the error. But I wonder how many copies they sold? Who would have bought them?
It is in fact a picture of St Mary’s Church of Ireland on the Crumlin Road. Does this mean that there is in existence a view of St Mary’s Church that has been carelessly titled ‘All Souls’ Church’ by the printers. I have not seen one if such a thing was ever printed.
The other card definitely is of the interior of All Souls’. It is quite a well-taken view showing the organ, the chancel and part of the nave and published by Baird’s of Belfast. Unfortunately my example is a bit dog-eared and creased but I am glad to have it because these postcards are fairly rare these days.
The church does have an enlargement of this view which was held in some awe by some of the members. The reason for this can be seen if you look carefully at the organ console. This was the original organ that was moved to All Souls’ in 1896 when the congregation migrated from Rosemary Street. Originally opened in 1806 it was the first organ used by a Presbyterian congregation certainly in the north of Ireland. I have written before about the history of this interesting instrument which is still in regular use in Newry Non-Subscribing Presbyterian Church where it moved in the 1920s. But much mythology attached to the organ. One story was that it had been built for St George’s Chapel, Windsor by the famous organ builder John Snetzler. This was very widely repeated and continues to be repeated sometimes in the present day. Some years ago I discovered and published the true origin of the organ (which was constructed in Belfast as you might expect) but many people still prefer the legend! Attached to the legend was a belief that the old organ was haunted, and haunted by no less a ghost than that of George Frideric Handel. This is where the postcard comes in because it was believed by many that the picture shows his ghost sitting at the organ:
One person told me that this picture had been subjected to a battery of tests but no one could explain the blurred image in front of the organ keys. My scan is not wonderful but there is a blurred image that is printed on the photograph. If you look carefully though you can just about make out the figure of an Edwardian lady in a large hat. I don’t think it is G.F. Handel.