What do those stones mean to you? The 400th anniversary of the Ancient Chapel of Toxteth

“But before he had spent so much time in Oxford as he could have wished that he might have done; the People in Toxteth, whose Children had been taught by him, sent to him, desiring that he would return unto them to instruct not so much their Children as themselves, and that not in meer Humane Literature, but in the things of God. This Call, after due Consideration, for weighty Reasons he accepted of. Being then returned to Toxteth, he Preached his first Sermon November 30. 1618. There was a very great Concourse of people to hear him, and his Labours were highly accepted of by the judicious.”

…part of the reading given by Beryl Black at the 400th anniversary service of the Ancient Chapel of Toxteth on Sunday, 25th November. This section of the reading (from: The Life and Death of That Reverend Man of GOD, Mr. Richard Mather Teacher of the Church in Dorchester in New-England by Increase Mather, Cambridge Mass. 1670) was also reproduced on the back page of the printed order of service.

 

Ancient Chapel 25 November 04

At the opening of worship (Photo: Sue Steers)

It was a tremendous occasion; well attended and enthusiastically received by all who were present. Readings were also given by Graham Murphy, Annette Butler and Leslie Gabriel while Cliff Barton played the organ.

Ancient Chapel 25 November 03

Graham Murphy gives a reading (Photo: Sue Steers)

In addition to the above reading there were readings from T.S. Eliot’s Little Gidding, from Robert Griffith’s The History of the Royal and Ancient Park of Toxteth, Liverpool (1907) and from Joshua ch.4 v.1-9 and John ch.4 v.31-38.

A message was also read from the First Parish Dorchester, Massachusetts, to which place Richard Mather, emigrated in 1635.

Ancient Chapel 25 November 16

Reading the message from Dorchester (Photo: Sue Steers)

The message from Dorchester:

Dear Members of the Ancient Chapel of Toxteth:

First Parish Dorchester sends you our heartfelt greetings and best wishes upon the occasion of your 400th anniversary of your founding. It is rare for us to know a Unitarian congregation older than ours, as we will not mark our 400th anniversary until 2030!  Rev Richard Mather, your first minister and our third minister (1636-1669),  certainly sowed good seeds in our two long-standing faith communities.

It may interest you to know that First Parish Dorchester established the oldest elementary public school in the United States, which is situated right next to the church- and it is called the Mather School!

In our weekly service, we have a time when we light candles of celebration or concern. This Sunday, November 25th, I will light a candle for the Ancient Chapel of Toxteth, in celebration of your four centuries as a gathered community. We rejoice with you in spirit.

Faithfully,

Rev Patricia Brennan

Interim Minister

First Parish Dorchester

Massachusetts

Yo can read more about the Ancient Chapel via these links:

Then and now pictures

Richard Mather and the Ancient Chapel

Jeremiah Horrocks and the Ancient Chapel

Jeremiah Horrocks and the transit of Venus

Two views of a junction in Toxteth

This post has been made on the day of the 400th anniversary of Richard Mather’s first sermon in Toxteth.

With special thanks to Jim Kenny who devised the logo used for the 400th anniversary.

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Seven Churches in Liverpool in 1859 viewed from the air

Glen Huntley has posted another fascinating and informative piece on his blog, this time about three houses which once stood close to the Ancient Chapel of Toxteth. These are Elm House, Chapelville and Cooper’s Folly. All three houses long disappeared to make way for the Victorian Tram Sheds and the later twentieth-century extension. The Tram Sheds themselves were demolished in 1993. But you can read Glen Huntley’s excellent post here:

https://theprioryandthecastironshore.wordpress.com/2018/10/04/robert-griffiths-toxteth-park-elm-house-chapelville-and-coopers-folly/

William Roscoe, the famous Unitarian and abolitionist is believed to have lived at Elm House, although his connection with this particular house doesn’t seem to have been proved conclusively. The ‘Dingle’ was the inspiration for one of his poems and he certainly did live locally at one point. He was definitely a member of the Ancient Chapel as well, I have the original ‘call’ issued to the Rev John Porter in 1827 and it includes William Roscoe’s signature.

But another thing Glen incorporates into this post is some detail from an aerial view of Liverpool by John R. Isaac in 1859 and published in New York. This is a view from a hot air balloon and can be viewed on the Library of Congress site at https://www.loc.gov/resource/g5754l.ct007678/?r=0.035,0.095,1.051,0.668,0

The image is fully zoomable and gives some remarkable detail of the city in the middle of the nineteenth century. The city without the cathedrals, the Liver Buildings and some other landmarks has a different look to it and it is not always easy to find your way about. However, Glen has found the Ancient Chapel and Elm House, Chapelville and Cooper’s Folly and includes an annotated close up of that part of the picture similar to this one:

Ancient Chapel from air

The tall church on the right is St Paul’s Church which is another place I intend to return to on this blog at some point. (The Ancient Chapel can be seen in the bottom left hand corner behind the stage coach).

But looking at the map I discovered another group of churches in Liverpool which must be a unique image of some long-lost buildings.

If you zoom in to the centre of the picture (and it is amazing how much detail can be uncovered there) you get this view:

Hope Street from air

It’s interesting because it shows a collection of now almost all vanished churches still clean and complete: unstained by the smoke and pollution that would gradually turn their stone work black and still with their towers and steeples.

At the centre of this scene is Hope Street Unitarian Church. Once the church of James Martineau and demolished in the 1960s. I blogged about Hope Street on a number of occasions but primarily here:

https://velvethummingbee.wordpress.com/2015/05/17/the-church-on-hope-street/

and according to the statistics one of the most frequently read pages on this blog.

Behind Hope Street you can see Myrtle Street Baptist Church, the church of Hugh Stowell Brown (soon to be the subject of a new biography). I have written about that church here:

https://velvethummingbee.wordpress.com/2016/11/20/hugh-stowell-brown-and-myrtle-street-chapel/

and again it is interesting to see a church looking clean and bright when every photograph of it shows it as black and grimy. The same is true of Canning Street Presbyterian Church in the bottom right hand corner of the image, also demolished in the 1960s and now the site of a modern German Church. To the left of this church is the Catholic Apostolic Church, still with its tower in place, a remarkable building, burnt down in the 1980s.

The long building without a tower in the bottom left corner is St Bride’s Church of England, still there today. St Bride’s can be seen in a rare film of 1901 on the BFI Player. Although the church is not identified it clearly is St Bride’s:

https://player.bfi.org.uk/free/film/watch-liverpool-church-parade-and-inspection-1901-1901-online

In the top left hand corner you can see Rodney Street Church of Scotland, a building saved from destruction but now flats, and just in front is St Philip’s Church Hardman Street, a ‘cast iron’ church like St Michael’s in the Hamlet which disappeared inside another building in 1882 only to be partly uncovered again when that building was knocked down in 2017! You can read about that remarkable discovery on this very interesting blog:

https://liverpool1207blog.wordpress.com/2018/01/02/st-philips-church-hardman-st-liverpool-1816-2017/

But seven accurate looking representations of different churches, only two of which still exist, taken from a hot air balloon in 1859.

 

Ancient Chapel of Toxteth 400th Anniversary

Ancient Chapel of Toxteth celebrates 400 years of worship and witness

Two images of the Chapel separated by about 120 years:

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Service to Commemorate the

400th Anniversary

of the

Ancient Chapel of Toxteth

Sunday, 25th November 2018

2.30 pm

Please note the service to commemorate the 400th anniversary of the Ancient Chapel of Toxteth will be held on Sunday, 25th November as advertised. However, the time of the start of the service has been changed it will now commence at 2.30 pm and not at the previously stated time.

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Preparing for worship

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400th Anniversary of the Ancient Chapel of Toxteth

 

The Ancient Chapel of Toxteth was built in 1618 during the ministry of the Rev Richard Mather in the former royal deer park of Toxteth by Puritans who desired to worship according to the dictates of their own conscience. Originally situated in a remote rural community the Chapel is now in the midst of a heavily built-up suburb of Liverpool. This year marks the 400th anniversary of the Chapel which has been in continuous use since 1618. A special service to celebrate this 400th anniversary of this historic Chapel will be held on Sunday, 25th November at 2.30 pm.

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Please note – if you are thinking of attending this service – that the time has been changed from 3.00 pm to 2.30 pm – as shown above.

Public Parades, Liverpool c.1902

The other two photographs which I acquired with the picture of Water Street, Liverpool in 1902 shown in the previous post (and it definitely is a picture of the festivities surrounding the coronation in 1902) are posted on this page.

They obviously date from around the same time, and may actually depict elements of the celebrations surrounding the same event. Both unfortunately have suffered damage when they were torn from their album. But one has no features that could be used to accurately locate it. It is in fact a pretty grim picture by our standards. Like the Water Street photograph it is a quickly taken snap, probably of part of a parade. A man and a boy stare straight into the camera from the right. On the left a policeman has his back to the photographer. In the centre is a large caged trailer carrying two beasts, so far as I can tell they are bears. These unfortunate animals were being dragged through the city presumably as part of some publicity for a circus or similar event, probably not I would guess a coronation float. In many ways it is an image more redolent of the sixteenth rather than the twentieth century.

1900 animals Liverpool b

The other picture certainly looks like it was taken in Liverpool and could well be part of the parade for the coronation of Edward VII. I haven’t, so far, been able to find any details of exactly what took place in Liverpool at this time but there is extant film of a large parade in Bradford for instance which gives a good idea of the sort of thing that happened in large cities to mark the coronation of the new monarch. Bands were intermixed with floats representing aspects of civic history or different industries or companies. In this picture the photographer has caught a military style band resting, the road is festooned with flags and bunting, and a large crowd looks on.

!900 Band Liverpool

It could well be part of the Liverpool parade to mark the coronation and that seems likely since it came with another picture of that day. However, there are other alternatives. Patriotic and religious parades were a big deal in Liverpool at the time. This one does not look like it might have been ‘contentious’, as we would say today. So it could be linked to some church event. Unfortunately the details on the banner are not remotely legible but I would guess it is a church related banner rather than an Orange one (there are no signs of any sashes or collarettes in the parade so it is not an Orange parade).

1900 Band Liverpool 02

But I am reminded by Giles Fraser on Radio 4’s ‘Thought for the Day’ today (29th May) that today is Oak Apple Day, once a public holiday to celebrate the restoration of the monarchy in 1660. There were groups in Liverpool who marked this day and if you look closely at the two well-dressed men on the left (both of African or Caribbean origin by the way) you can see that one of them is wearing some kind of flower or emblem that resembles oak leaves. The older man on the right with a beard also seems to be wearing the same emblem/oak leaves. The lapels of the other men in the parade are not visible unfortunately.

1900 Band Livrepool 01

So is this an Oak Apple Day parade? It could be. But then what is the large object that looks a bit like a railway signal in the centre of the cropped image above? I am not at all sure. But it could be something from the end of a float. If that was the case then this might be a picture of part of the 1902 Liverpool parade for the coronation of Edward VII.

No pictures or text may be reproduced from this site without the express permission of the author.

The Ancient Chapel of Toxteth

ACT March 2017 exterior Sue photo

The Ancient Chapel of Toxteth (photo: Sue Steers)

I never like to pass up an opportunity to visit the Ancient Chapel of Toxteth. Anyone with an interest in Unitarian and Dissenting history, church architecture, or the history of Liverpool will not fail to be enthralled by such an evocative building. On Mothering Sunday I was very pleased to be able to join in Sunday worship there, a service conducted by lay preacher Graham Greenall who led an appropriate act of worship which weaved together themes for Mothers’ Day, peace and a reflection on the recent shocking events in Westminster.

The late Sir Christopher Stell, who produced the Royal Commission on Historical Monuments inventory of chapels and meeting-houses in England, was a big fan of this chapel. Dating back to 1618 the building is really redolent of the late eighteenth century when it was restored. It is part of Toxteth but speaks of a continuity of worship that stretches from the puritan farmers who cleared the forest and built the chapel for their minister Richard Mather to the present day.

An examination of the interior always throws up new things. One thing that I learnt from Sir Christopher Stell was that the chapel builders, although puritans, were also heirs to the Anglican tradition and almost certainly built a small chapel with a chancel on the lines of a parish church. Little remains to display this today but above the organ you can still see the chancel arch. At some point in the eighteenth century the chancel was turned into a schoolhouse, later still it was used to house the organ loft and the present porch.

In 2018 the congregation will celebrate 400 years of worship in their building and will mark that milestone with suitable events.

ACT March 2017 gallery view across

The view from the gallery

Richard Mather

Richard Mather

RM 1650

Mather family pew dating from 1650

ACT March 2017 pulpit preacher

Graham Greenall in the pulpit

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The chancel arch in front of the organ

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Sunday School corner, recently restored

ACT March 2017 Fifi 01 Sue

Fifi, who was also present, waiting patiently for some cake following the service (photo: Sue Steers)

‘A fiery Socialist without any principles and given to mere phrases’ – V.I. Lenin

Few people can have received public notices during their lifetimes from figures as disparate as Vladimir Ilyich Lenin and the Rev Alexander Gordon. But Victor Grayson did.

David Clark’s new book Victor Grayson The Man and the Mystery (essentially an expansion of his earlier work Victor Grayson Labour’s Lost Leader first published in 1985) uses this observation made by Lenin, which – with the benefit of hindsight – may be an accurate summary of Victor Grayson’s early political career.

The April 2017 issue of the Transactions of the Unitarian Historical Society will include a review article of David Clark’s book. It is a fascinating and unique story – a student for the Unitarian ministry with his roots in the North End Domestic Mission in Liverpool becomes converted to Socialism and finds a gift for oratory. At the age of just 26 he is selected to fight the Liberal held constituency of Colne Valley during the 1907 by-election and carries all before him.

But Grayson is also famous as the first MP to disappear in mysterious circumstances and his career followed so many strange twists and turns that he remains an object of some fascination. In the review article I have tried to do justice to David Clark’s book, the result on his part of many years of research, interviews and reflection. The subtitle of the new book – The Man and the Mystery – is an interesting contrast to its predecessor – Labour’s Lost Leader, both terms illustrating the two main areas in which Grayson’s story still remains important.

But it is also worth asking, what was Grayson’s relationship to the Unitarian movement? It seems unlikely he would ever have developed his oratorical skills without his prior training at the Unitarian Home Missionary College. It also seems unlikely he would ever have become involved in politics if he hadn’t first joined the North End Domestic Mission in Liverpool. Like all the Unitarian Missions of this type it was an institution that was concerned about and involved with the problems of the urban poor. It is significant that Grayson left the evangelical mission to which his family belonged and which according to David Clark’s book seems to have been normative for the rest of his family – in later years his mother also appears to have attended the Methodist Central Mission. The late Ian Sellers wrote an excellent article in the Transactions (vol. 20 No.1, April 1991) on J.L. Haigh, Grayson’s minister and sponsor for the ministry and the author of Sir Galahad of the Slums. But it is clear from this new book that J.L. Haigh had a high opinion of Victor Grayson and encouraged him to enter the ministry.

Similarly Alexander Gordon, as the Principal of the College, was impressed by Grayson and required him to go through the Preliminary Arts Course at Liverpool University before he could be admitted as a probationer to study for the ministry. It is curious that the minutes of the College for the three years Grayson was a student there have disappeared – believed by the late Len Smith to have been removed by the secret service in the course of an investigation in the 1920s or 1930s!  – but his references still survive and are quoted by David Clark. “A safe man” said J.L. Haigh, A “deep knowledge of the condition of the working class” said another unnamed referee. Another reference spoke of his “desire to improve the condition of his less fortunate brethren.”

Despite not passing all his exams at Liverpool Alexander Gordon was impressed by his application in the multitude of subjects he had to cope with, including Greek and Latin. David Clark quotes a long entry from Alexander Gordon’s 1904 report which begins and ends with: “[He] impresses me very favourably…[I] have no hesitation in recommending him for this”.

Although a student for three years at the Unitarian College events were to take him in a different direction. As a very radical Socialist who was excluded from the House of Commons on occasion by the Speaker, what was the reaction to his success amongst the Unitarian community? An examination of the Inquirer or Christian Life for this period might prove instructive, although one suspects that he probably moved out of the orbit of most Unitarian interest at this point.

What is certain is that he seems to have held his old College in high regard. In Unitarian to the Core. Unitarian Home Missionary College 1854-2004 Len Smith says:

“…if the College authorities were quick to forget him, his departure may not in fact have been quite so acrimonious as has been assumed. On his part, he certainly thought enough of his alma mater to contribute £10 for the Jubilee appeal in 1911, rather more than most alumni”.

uhmcwithvgandstaff

Staff and students at the Unitarian Home Missionary College c.1904. Victor Grayson stands on the back row, second from right. Principal Alexander Gordon is seated in the centre of the front row.

 

By 1911, it should be noted, he was already out of Parliament and living in some poverty. During the First World War a spell as a war reporter was followed by a career as an orator trying to drum up support for the war both in Britain and in Australia and New Zealand. After the war his activities become very murky until September 1920 when he disappears altogether.

But the Unitarian side of his life, although an interesting side line, is a little removed from the main purpose of David Clark’s book. The review article (David Clark, Victor Grayson The Man and the Mystery. Quartet Books Limited. London 2016) will appear in the April 2017 Transactions of the Unitarian Historical Society.

 

 

Liverpool Metropolitan Cathedral under construction

Writing in the mid-1960s in his examination of the place of art in Liverpool (Art in a City) John Willett observes:

 

“In 1967 the new Roman Catholic cathedral will be consecrated. With its novel circular plan, like a vast upturned funnel, its windows by John Piper and Patrick Reyntiens and its sculptures by William Mitchell, Frederick Gibberd’s great building quite possibly will take the breath away, and seems likely to provide for some years a religious-artistic sensation to rival Coventry.”

 

It was a striking addition to the cityscape and was described by Liverpool architect Quentin Hughes as “undoubtedly the major modern architectural attraction of the city”. At the time it was being built this maybe wasn’t so clear. In the 1960s Liverpool was undergoing a period of renewal that promised and threatened much in terms of architecture. City councillors had long been obsessed with constructing a ‘worthy’ civic centre and had identified the back of St George’s Hall for the location of this. By the 1960s this vision had taken on a grandiose form and encompassed an enormous series of buildings that would have snaked around the centre of the city. With a huge cross-shaped building impinging on St John’s Gardens behind St George’s Hall, Colin St John Wilson, the architect responsible, promised:

 

“…this is not an abstract building in space it is part of a whole texture – buildings, roads, Mersey Tunnel, Lime Street Station, with energy passing through a web of paths and creating points of focus. That’s the essence of it, to see this thing not isolated but as part of a whole traverse across the city.”

 

In the end most of this did not get built except for a ridiculous walkway at the back of the museums. But in the context of all this potential upheaval the new, defiantly modern Catholic Cathedral began to take shape. These two pictures by amateur photographers capture the process of building in the early 1960s:

 

liverpoolmcathedralconstruction02

 

As the “vast upturned funnel” began to take shape it must have been a challenging sight for passers-by. Certainly quite unlike anything else in Liverpool and a considerable contrast to every other church building in the city:

 

liverpoolmcathedralconstruction01

 

The building was completed and consecrated on 14th May 1967. In the Architectural Review of June 1967 Nicholas Taylor spoke of the new building’s “challenging relationship with Sir Giles Scott’s Catalan Gothic splendour for the Protestant ship-owners further along the ridge”. He also went on to draw a parallel with the other great post-war English cathedral of Coventry:

 

“The loosely defined image of the ‘big top’ or ‘wigwam’ will probably prove as big a success with the people in general as Spence’s Coventry, and there are already signs that it may acquire the same identity with Liverpool’s own civic image that Bertrand Goldberg’s Marina City towers have with Chicago’s.

The reason is that it expresses with uncommon force one particular historical emotion: at Coventry it was the War Memorial with its symbolism of Sacrifice in the ruins and of Resurrection in the new church; at Liverpool it is the ecclesia triumphans of the Foleys and O’Reillys, a symbol of Catholic kingship riding high above the former Protestant ascendancy of merchants in the quaysides below.”

 

In some ways this analysis seems both patronising and sectarian although it is entirely understandable in the context of the times. But, in my view at least, the building expresses something more positive and is a hugely impressive spiritual space, a place worthy of pilgrimage. A rather more worthwhile legacy of the 1960s than what the city planners envisaged elsewhere.

 

At the time of its opening the council arranged for this floral decoration to adorn the roundabout in front of the Adelphi Hotel at the end of Lime Street. In the distance you can see St George’s Hall and plenty of evidence of ongoing construction work. And at the now demolished Futurist cinema they were showing Dr Zhivago:

liverpoolmcathedralfloral

I’ve written before about the Metropolitan Cathedral:

https://velvethummingbee.wordpress.com/2015/06/21/liverpools-metropolitan-cathedral/

and also about Hope Street Unitarian Church which stood midway between where the two cathedrals have been built:

https://velvethummingbee.wordpress.com/2015/05/17/the-church-on-hope-street/

The three images above were all acquired on eBay for 99p. The photograph at the top of the page is one I took from the top of the Anglican Cathedral. Hope Street Church stood where the square-shaped white building stands at the bottom of the picture on the right hand side of the main road.

Images of Rev John Watson

 

In 1893 B. Guinness Orchard in Liverpool’s Legion of Honour declared the Rev John Watson to be “the successful pastor of the most important and active among our local congregations.” In (by his standards) fairly restrained prose Orchard outlined the minister’s achievements: every sitting in the church was let, the number of communicants had risen from 133 to 949, three new causes had been founded, £70,000 raised for congregational activities. The list of achievements was a long one and, Orchard added rather cryptically, “To his congregation his doctrinal teaching is quite acceptable”.

John Watson had already achieved a position of some eminence in his adopted city. In his twenty five years in the ministry at Sefton Park Presbyterian Church he also became centrally involved and prominent in civic life. But Orchard was writing just on the cusp of a new departure for John Watson; his first novel – Beside the Bonnie Brier Bush – was published in the following year. As Ian Maclaren he became a top selling novelist whose fame stretched around the English-speaking world.

As a clergyman/novelist he reached an extraordinary level of fame. He published theology under his own name which sold exceptionally well resulting in highly popular lecturing tours of the USA and honorary DDs from St Andrews and Yale.

As I have mentioned in a previous post

https://velvethummingbee.wordpress.com/2015/04/13/rev-john-watson-ogdens-guinea-gold-cigarettes/

his fame was such that his image was reproduced on a cigarette card. It is a very small card but it is very cleanly printed.

jwogdengc

I recently discovered that a separate series of cigarette cards was also issued in Australia by Ogden’s in about 1905 which also included an image of John Watson. I don’t possess an example of this card although it was less well printed than the British one. It re-used a photograph taken by top London photographers Elliot & Fry. The same image was published as a postcard in the ‘Star Series’:

jwstarseries

There was a great demand for images of John Watson. Popular prints of him were sold but with the sudden impact of the postcard at the turn of the century his image became rather more widely diffused. Market leaders Rotary sold this postcard of John Watson:

jwrotary

Taken probably for a magazine in what is almost certainly the front room of the manse in Sefton Drive he leans against the fireplace in front of a picture of the Last Supper. It is interesting how the different aspects of his character blended into one. He was an effective and highly successful minister with extensive involvement in many aspects of local life and national church life. But he was also a much sought after author of popular novels. Yet although his novels are still in print and although something of a niche area are still read, his theology, which also sold in tens of thousands, is now forgotten.

His fame was tied up with his church. I have many examples of postcards of his church in Sefton Park, it was a popular subject. The one at the top of this post shows the church in the background but suggests the importance of its site on a main arterial route through the suburbs. Tram conductors would call out the name of the nearby stop as Dr Watson’s church and the detail on this postcard shows a tram stopped near the junction, its driver and conductor hanging around to be in the photograph:

spcdetail

Another feature of all photographs of the exterior of the church is that someone (or sometimes two people) always stood in the middle of the road slightly to the right of the main gate. Was this something demanded by the photographers to give some idea of scale? It is strange how that space is always occupied. Sometimes by a young person staring at the camera other times by someone with their back to the camera and sometimes by a couple in animated conversation. But the title always takes the same form, it is ‘Dr Watsons’s Church’ or ‘Ian Maclaren’s Chapel’. The terms are used interchangeably even by local publishers Wrench.

The Walker Art Gallery has two contemporary portraits of John Watson but these are not on show and I suspect have never been on show. They are both striking examples of late nineteenth-century portraiture and can be found online. But his likeness still circulates on postcards and cigarette cards, a continuing reflection of his late Victorian and Edwardian fame.

Hugh Stowell Brown’s carte de visite

Following on the previous post on Hugh Stowell Brown we can add this image featuring his carte de visite. These were enormously popular aspects of life for the middle classes in the 1860s and represented an extension of portrait photography used more for collecting as keepsakes rather than as part of the niceties of Victorian social encounters as the name might indicate. They were seldom named and were probably kept more by families and, in the case of celebrities, by fans who liked to amass collections. This was probably as true for clergy as for other minor celebrities and one suspects that many members of Myrtle Street Chapel will have been quite proud of the cdv of their minister that they were able to stick into their album or lean on the mantelpiece.

 

hsbrowncdv01

 

This is quite a characterful study of the Rev Hugh Stowell Brown. It shows what a good job was done by the creator of the statue that was set outside his chapel some years later. He could almost be wearing the same coat. The card was produced by E. Swift & Son of 126 Bold Street, Liverpool and is quite a minimalist picture. Almost certainly this will have reflected Mr Brown’s own taste. Most of E. Swift & Son’s cartes feature other objects dragged in to add variety to the picture. Sometimes the curtain was removed to reveal a trompe l’oeil painting of a window and some plants. It’s probably better covered up to honest. He also eschewed the selection of decorated urns and Corinthian pillars that many liked to lean on for their photo shoots in Swifts and also didn’t need the Abbotsford chairs that were wheeled out from time to time. Perhaps wisest of all he didn’t use the cut-out ballustrade that sometimes appears behind the subject. Only the distinctive and perhaps slightly gaudy carpet detracts from the sober no-nonsense image.

So Hugh Stowell Brown created a carte de visite that managed to express quite a lot about who he was. He looks every inch the respectable and respected Baptist pastor, without adornment, and with integrity and a seriousness of purpose that could not be doubted.