Faith and Freedom Calendar 2017

The 2017 Faith and Freedom Calendar will be on its way soon. Containing twelve very striking images by photographers from around the world it depicts scenes related to the practice of faith from many different countries. The Calendar itself lists significant dates with a religious theme throughout the year and any money raised by the sale of copies will go to the Send a Child to Hucklow Fund which exists to enable disadvantaged children who would not otherwise have a holiday to go to Great Hucklow in Derbyshire for a holiday.

On this page you can see the image for the month of October:

Haymaking at Szentivánlaborfalva, Transylvania, Romania.

A beautiful image provided by Márkó László.

transylvania

 

If you would like to purchase a copy you can send a donation to the Faith and Freedom business manager: Nigel Clarke, 16 Fairfields, Kirton in Lindsey, Gainsborough, Lincolnshire, DN21 4GA.

ffcopies

Advertisements

Ballee’s Carnegie Organ

In 2012 Ballee Non-Subscribing Presbyterian Church celebrated the centenary of their two manual pipe organ with a twelve hour ‘Hymnathon’ from 8.00 am to 8.00 pm, finishing the day with a special service at 7.00 pm. The organ was officially opened on Sunday, 23rd June 1912 and its centenary was marked by a very effective and widely supported cross-community celebration with clergy, choirs, musicians and visitors from all local churches taking part.

 

But back in 1912 the organ was installed as part of an extensive renovation of the church that significantly modernised what previously must have been a largely untouched early eighteenth-century meeting house and which gives the church its essential appearance to this day. The Non-Subscribing Presbyterian magazine for August 1912 reported that:

 

On Sunday, 23rd June, successful services were conducted by Rev. H. McLachlan, MA, BD, of the Unitarian Home Missionary college, and sermons appropriate to the re-opening of the renovated church were preached to large and appreciative congregations…An outstanding feature of the day was the fact that two neighbouring rectors of the Episcopal Church held no services, thus leaving their people free to attend…a gracious compliment to minister and people

rev-h-mclachlan

Rev Dr Herbert McLachlan c. 1912

The report went on that the new manse, which was nearing completion, was much admired by the numerous visitors and nearly one hundred pounds was raised on the day. In addition considerable work had been done to the church:

 

The building has been thoroughly overhauled, new high-pressure heating apparatus set up…The old graveyard has been mapped and numbered and gravelled paths laid out. The tinted glass windows set in Castlewellan granite jambs are especially noticeable for their reposeful simplicity and strength. The grand old timbered roof, which was raised at the first renovation of the church in 1773, is unique, and showed out beautifully in the favourable light of the summer day. The old rough hewn flagged floor has been replaced by a patterned maple wood block floor, which still adds to the quiet neatness aimed at by the promoters of the scheme…The work which, which gives universal satisfaction, was wholly carried out by members of families belonging to Ballee Non-Subscribing Church.

 

All this was done under the direction of the Rev J.H. Bibby, himself a considerable benefactor to the Ballee congregation. However, a centrepiece of the day was the opening of the new organ, itself the result of a charitable donation of a very different sort:

 

…a fine organ, built in solid oak by Dalladay of Hastings, has been erected…The musical part of the service was rendered  in a devotional spirit by the Choir, augmented by voluntary helpers. The beautiful instrument was ably handled by Mr R. McCullen, CE, who is honorary organist of the church.

rev-jh-bibby-01

Rev J.H. Bibby

 

The report doesn’t mention it but the new organ was paid for by a donation from the Carnegie Fund.

 

The organ came to Ballee just over 100 years after protestant dissenting churches in Ireland, mainly those of a liberal or non-subscribing outlook, first began to use organs in their worship. The first organ seems to have been opened in Cork in about 1801. In 1806 Belfast’s Second Congregation and the Presbyterian church in Dundalk both installed organs. In some places this remained an incredibly controversial topic throughout the nineteenth century. Almost certainly Ballee will have used a harmonium without any controversy for some time before but in 1912 it moved into a different league with the installation of their Dalladay organ.

 

The choice of organ builder was an interesting one. It is not known whether Dalladay built any other organs in Ireland, it certainly was a long way for the firm to travel to fulfil the contract. In Organs of Hastings and St. Leonards Julian Rhodes writes of him:

 

Samuel Frederick Dalladay (1865-1955) built or rebuilt some ten organs in the town [Hastings]. A Londoner, Dalladay was a skilled performer who gave recitals at the Royal Albert Hall and the Crystal Palace in his youth. In 1886 he moved to Folkestone and opened an Academy of Music; he became organist at St. John’s Church, Folkestone. His organ-building activities are known to date from as early as 1903, though it was not until just before World War I that he moved to Hastings and opened the Sussex Organ Works, which remained in business until about 1939. From time to time he built instruments for churches throughout England, though most of his work was in the southern counties. His two largest jobs appear to have been a 4-manual 26-stop instrument for St. Bartholomew, Reading in 1910, and a 3-manual 36-stop rebuild at Holy Trinity, Aldershot in 1925.

 

The organ underwent extensive repairs in 1954 and was rededicated at a service on 12th September 1954 by the Rt Rev John Radcliffe, the then moderator. In 1972 an electric blower was installed. Prior to this date it had to be pumped by hand and it was not unknown for the man employed to do the pumping to nod off during the sermon and need a gentle reminder to return to his labours for the final hymn! However, its genesis as an organ paid for by the Carnegie Fund gives it a unique provenance, at least in relation to the Non-Subscribing Presbyterian Church.

ballees-carnegie-organ

 

Andrew Carnegie was born in Dunfermline, Scotland on 25th November 1835. The son of a poor domestic hand-loom weaver his early life was not easy and at the age of 12, along with his parents and younger brother, he emigrated to Pittsburg. Here begins a story that encapsulates the American Dream. His first job was as a ‘bobbin boy’ in a cotton mill at $1.25 per week but was soon ‘promoted’ to work as an operative for $2 per week, doing work that was physically hard and dangerous and which daily induced nausea in the 13 year old. But through hard work, ingenuity, resourcefulness, drive and some luck, by the age of 30 he was earning $50,000 per year. Most of his income came from investments he had made during the Civil War and by the time he came to retire at the age of 65 his personal fortune was estimated to be the largest in America. He sold his family holdings in his steel and other companies for $480 million in 1901 and turned his attention, full-time, to philanthropy.

 

Carnegie draw up a set of priorities as to where he would help. They were in order:

 

  1. Universities
  2. Free libraries
  3. Hospitals
  4. Parks
  5. Halls suitable for meetings and concerts
  6. Swimming baths
  7. Churches, but only the buildings and accoutrements and not to support religious activities other than music making.

 

Churches were right at the bottom of his list. Although Carnegie was a Scots Presbyterian by birth and was a member of Madison Avenue Presbyterian Church in New York his religious views were not conventional and he had little time for church preachers. But he did like church music and thought that churches had an important cultural role in this area. As a result he offered grants for church organs, buying a total of 7,689, including, for instance, 219 in Ireland and 1,005 in Scotland, 4,092 in the United States and one each in India and British Guinea, all to a total cost of over $6,000,000.

 

Early on funds were provided for half the cost of an organ on the basis that the congregation would find the rest, although later on the Carnegie Fund appears to have supplied the full cost. However, stringent rules existed for the supply of an organ from the fund. Applications for organs alone ran as high as about 3,000 in one year. In the first 20 years there were approximately 40,000 applications, showing that the successful award of a grant was far from a foregone conclusion. All applicants had to provide a detailed financial statement and explain how a new instrument would contribute to their congregational life.

 

A report commissioned by Andrew Carnegie into the effectiveness of these grants found that the introduction of a new organ had a wholly beneficial effect in business terms as well as every other way:

 

The pastors of the churches visited were questioned closely as to the effect produced upon the contributions of the members by a gift as large as that made by the Corporation. The unanimous declaration was made that it had been a stimulus to individual giving and in many instances illustrative figures were presented to show that the benefactions of the church had been doubled since the installation of the organ. A part of such increase was usually ascribed to the larger congregations attracted by the better music.

 

So this is the background to the grant of the Carnegie organ to Ballee Church, one of the 219 in Ireland. None of the correspondence relating to the acquisition of the organ has survived but the organ has remained an integral part of regular worship ever since.

 

Andrew Carnegie’s report into the effectiveness of his organ bequests concluded three things:

 

  1. Churches are contributing instrumentalities in the social and cultural advancement of a community – the aggregate of communities make the Nation.
  2. The efficiency of the services of a church is augmented by the use of a pipe organ, hence, through the church, the organ indirectly contributes to the social and cultural advancement of the community, and
  3. Directly, the organ when used in recitals and by students of music, renders an important cultural service.

 

Although written in a slightly strange jargon no one could argue against these observations as being true in Ballee. The pipe organ has contributed much to congregational life and consequently to the life of the wider community. The congregation are glad to have it and value it as part of both their witness and their heritage from over one hundred years.

Ballee 18 June 2014.jpg

Images of Rev John Watson

 

In 1893 B. Guinness Orchard in Liverpool’s Legion of Honour declared the Rev John Watson to be “the successful pastor of the most important and active among our local congregations.” In (by his standards) fairly restrained prose Orchard outlined the minister’s achievements: every sitting in the church was let, the number of communicants had risen from 133 to 949, three new causes had been founded, £70,000 raised for congregational activities. The list of achievements was a long one and, Orchard added rather cryptically, “To his congregation his doctrinal teaching is quite acceptable”.

John Watson had already achieved a position of some eminence in his adopted city. In his twenty five years in the ministry at Sefton Park Presbyterian Church he also became centrally involved and prominent in civic life. But Orchard was writing just on the cusp of a new departure for John Watson; his first novel – Beside the Bonnie Brier Bush – was published in the following year. As Ian Maclaren he became a top selling novelist whose fame stretched around the English-speaking world.

As a clergyman/novelist he reached an extraordinary level of fame. He published theology under his own name which sold exceptionally well resulting in highly popular lecturing tours of the USA and honorary DDs from St Andrews and Yale.

As I have mentioned in a previous post

https://velvethummingbee.wordpress.com/2015/04/13/rev-john-watson-ogdens-guinea-gold-cigarettes/

his fame was such that his image was reproduced on a cigarette card. It is a very small card but it is very cleanly printed.

jwogdengc

I recently discovered that a separate series of cigarette cards was also issued in Australia by Ogden’s in about 1905 which also included an image of John Watson. I don’t possess an example of this card although it was less well printed than the British one. It re-used a photograph taken by top London photographers Elliot & Fry. The same image was published as a postcard in the ‘Star Series’:

jwstarseries

There was a great demand for images of John Watson. Popular prints of him were sold but with the sudden impact of the postcard at the turn of the century his image became rather more widely diffused. Market leaders Rotary sold this postcard of John Watson:

jwrotary

Taken probably for a magazine in what is almost certainly the front room of the manse in Sefton Drive he leans against the fireplace in front of a picture of the Last Supper. It is interesting how the different aspects of his character blended into one. He was an effective and highly successful minister with extensive involvement in many aspects of local life and national church life. But he was also a much sought after author of popular novels. Yet although his novels are still in print and although something of a niche area are still read, his theology, which also sold in tens of thousands, is now forgotten.

His fame was tied up with his church. I have many examples of postcards of his church in Sefton Park, it was a popular subject. The one at the top of this post shows the church in the background but suggests the importance of its site on a main arterial route through the suburbs. Tram conductors would call out the name of the nearby stop as Dr Watson’s church and the detail on this postcard shows a tram stopped near the junction, its driver and conductor hanging around to be in the photograph:

spcdetail

Another feature of all photographs of the exterior of the church is that someone (or sometimes two people) always stood in the middle of the road slightly to the right of the main gate. Was this something demanded by the photographers to give some idea of scale? It is strange how that space is always occupied. Sometimes by a young person staring at the camera other times by someone with their back to the camera and sometimes by a couple in animated conversation. But the title always takes the same form, it is ‘Dr Watsons’s Church’ or ‘Ian Maclaren’s Chapel’. The terms are used interchangeably even by local publishers Wrench.

The Walker Art Gallery has two contemporary portraits of John Watson but these are not on show and I suspect have never been on show. They are both striking examples of late nineteenth-century portraiture and can be found online. But his likeness still circulates on postcards and cigarette cards, a continuing reflection of his late Victorian and Edwardian fame.